Showing posts with label MACRO Representation. Show all posts
Showing posts with label MACRO Representation. Show all posts

Tuesday, 8 October 2013

Lesson Plan 1.5 Representation

http://www.youtube.com/watch?v=G4h7NGMz2RI















MACRO Representation Genre Stock Characters


' Character Name Description Examples
A



Absent-minded professor An absent-minded scientific genius[2] Professor Calculus, Julius Kelp, Emmett Brown

Action hero A film hero protagonist with unrealistic physical resistance and fighting capabilities John McClane; John Rambo

Alien invaders Extraterrestrials who mount an invasion against Earth[2] War of the Worlds, Body Snatchers, Independence Day

Anti-hero A cowardly, antisocial or honorless protagonist Tony Montana, Faust, Falstaff




B


Bad boy (archetype) A roguish macho Charlie Harper (Two and a Half Men), Johnny Strabler

Battle-axe (woman) A domineering, brash and brazen woman Carrie Nation, Xena

Bimbo A dumb, pretty girl Karen Smith (Mean Girls)









Black knight Evil fighter antagonist Modred, Nazgûl, Darth Vader

Blonde stereotype A pretty, but stupid blonde Blonde and Blonder

Boy next door Average and nice guy

Breeches role A role in which an actress appears in male clothing Shakespeare in Love





Byronic hero A proud, moody and cynical man, yet capable of deep and strong affection Childe Harold, Eugene Onegin
C










Contender (stock character) A competitive underdog Rocky Balboa, Terry Maloy




D


Damsel in distress A noble Lady in need of rescue, traditionally from dragons Princess Peach, Princess Buttercup, Princess and dragon

Dark Lady (character) A dark, malicious or doomed woman Lady Macbeth

Holmesian detective A private or police detective who solves crimes by using logical deduction Sherlock Holmes, Columbo, Hercule Poirot

Hardboiled detective A gruff, tough and streetwise, but generally honest detective Sam Spade, John Hartigan, Philip Marlowe
E


Elderly martial arts master A wise, powerful man teaching his powerful craft to a young student. Often needs to be avenged Keisuke Miyagi, Snake in the Eagle's Shadow, Pai Mei









Everyman An ordinary individual Everyman (play)




F


Fall guy A scapegoat




Femme fatale A beautiful, but mischievous and traitorous woman Ruth Wonderly, Xenia Onatopp, Poison Ivy

Final girl A "last girl standing" in a horror film Laurie Strode, Sally Hardesty, Lila Crane




G














Girl next door An average girl with a wholesome conduct Winnie Cooper




H


Hag A wizened old woman, often a malicious witch Hansel and Gretel, Baba Yaga









Hero A powerful and morally integer protagonist, often on a quest[2] Luke Skywalker, John Carter of Mars, Neo (The Matrix)









Hotshot A reckless character known for taking risks. Also referred to as a "Badass". Martin Riggs, Pete Mitchell (Top Gun)
I


Ingenue (stock character) a young woman who is endearingly innocent and wholesome Ophelia, Cosette
J










Jock (athlete) A male athlete, often muscular, but not very smart Tommy Ross, Luke Ward








K


Killbot Usually large, menacing machines created to perpetrate murder Terminator

Knight-errant A noble Knight on a Quest Galahad, Sir Gawain
L


Legacy Hero A hero who inherits or adopts the name and attributes of an already or previously existing hero The Phantom, Green Lantern, Robin (comics)

Lipstick lesbian Lesbian and bisexual women who exhibit extremely feminine gender attributes









Lone Vigilante Loner who becomes a vigilante for Justice Charles Bronson's Death Wish Movies; Dirty Harry; The Outlaw Josey Wales

Lovers (stock characters) Main characters who deeply and truly fall romantically in love, despite the blocking effect of other characters. Often moonstruck, star-crossed lovers that are strongly fraternizing with the enemy. Romeo & Juliet
Tony and Maria (West Side Story)
Buttercup & Westley in The Princess Bride
M


Mad scientist An insane or highly eccentric scientist, often villainous or amoral.[2][12] Dr. Frankenstein
Dr. Moreau
Emmett Brown
Girl Genius

































Mother's boy A man who is excessively attached to his mother Private Frank Pike
N













O


Outlaw (stock character) A romanticized, often charismatic or social bandit. Robin Hood, Billy the Kid
P


















Professor (stock character) A common generic name for fictional characters who fill the role of doctors, scientists, or mad scientists. The Professor (Gilligan's Island)
R


Rake (character) A man habituated to immoral conduct. Francis Charteris (rake), Lord Byron, Gully Foyle (The Stars My Destination).

Redshirt (character) An expendable character who dies soon after being introduced; this refers to characters from the original Star Trek television series, often from the security of engineering departments of the starship, who wore the red variation of the Starfleet uniform and whose purpose in the narrative was to serve as cannon fodder Star Trek.

Reluctant hero A person who doesn't seek adventure or the opportunity to do good, and often doubts his or her abilities to rise to heroism. However, circumstances inevitably result in the character's becoming a true hero. Bilbo Baggins, Han Solo from the Star Wars series, Neo from The Matrix.
S







Secret identity An alias a character may take so that he or she may act in secrecy. Superman's alias Clark Kent, Spider-Man's alias Peter Parker, and Batman's alias Bruce Wayne.













Sidekick A plucky but generally subordinate close companion of the protagonist Robin, Dr. Watson, Sancho Panza













Space Nazis Nazi-like antagonists in science fiction works Patterns of Force, Iron Sky








Spinster An older, childless woman who has never been married Miss Havisham









Superhero An unrealistically powerful hero dedicated to protecting the public[2] Superman, Spider-Man, Batman





Supersoldier A soldier who operates beyond human limits or abilities Captain America; Soldier (1998 American film), Master Chief (Halo)

Supervillain Antithesis to the Superhero Lex Luthor, The Joker, Dr. Doom





Swashbuckler A joyful, noisy and boastful renaissance era swordsman or pirate Captain Jack Sparrow, The Crimson Pirate, Swashbuckler (list).
T






Tomboy A girl with boyish and/or manly behavior. Juno Macguff





Town bully A bully oppressing meeker residents of a town. Biff Tannen, Nelson Muntz.





Tragic hero A hero with a major flaw that leads to his or her eventual death and downfall. Sigurd, Boromir, Orpheus









Tycoon A person who wields considerable economic power, often acting at the expense of the less fortunate Montgomery Burns, Scrooge McDuck, Ebeneezer Scrooge
V














Villain[2] An evil character in a story Snidely Whiplash, Fu Manchu Master (Doctor Who)
W


Whisky priest A priest or ordained minister who shows clear signs of moral weakness, while at the same time teaching a higher standard Father Callahan









Wise old man An elderly character who provides wisdom to the protagonist. Albus Dumbledore, Yoda, Gandalf Mickey Goldmill


















Friday, 25 January 2013

Homework: Mock Exam Representation in V & CoM

Session 1 Recap Outcomes
Analyse stereotypes for meaning in CoM & V - comparing
Apply (psychoanalysis) Yonic & Phallic symbols & explain how it constructs meaning

Representation = Messages

"To what extent does V & CoM conform to film stereotypes and what messages are behind these representations?"


How is it using these stereotypes of gender? 
Points for your essay
  1. "Men act, Women appear"?
  2. (Slasher films) Final Girl relevant?
  3. (Action Hero) Hypermasculine?
  4. (Sex Object) Objectification of women?
  5. Psychosexual analysis - Phallic/Yonic imagery - tunnel, train, penetration, male castration
  6. Mother/nurturer? (metaphorical birth/rebirth)
  7. Father/Procreation - 'the fatherland?)
  8. Dystopian representation of British National Identity - (Empire, Nationalism, Facism, Repressed emotions, Non-confrontational?)
 Outcome
To select your key scene for analysis - comparative 4 or 5 points to discuss
To formalate an argument - answer the question, what YOU think this means & back up
To analyse meaning using Psycho-sexual meaning? Mother - symbolic role
To justify reasons for the representations and the messages/themes of the film



MACRO Representation V & CoM clips for analysis directors commentary



Q. How does the film use representation to create meaning (messages)

Critical perspective Psychoanalysis: How does this affect our 'reading' of this clipYonic & Phallic symbols (MICRO MES)

V&CoM comparison of representations (essay points)
Key scenes to examine -

Evey hair shaved/torture, Opening rape, Evey Ending, Bishops school girl

Kei reveals she is pregnant, Kei walks through guns, Kei gives birth, Kei Ending

V opening intro, Vtv message, V kills Creedy/V dies, V looses Evey
Vs
Theo opening meets Juliette, Theo buries Juliette, The long take, Theo ending


National identity
England prevails, Girl getting shot/revolution, Parliament blown up,
Vs
Fugee town/bagged on bus, Britain still stands, The uprising

  1. Argue does this challenge or reenforce traditional stereotypes (gender roles in films) – Do Does it demonstrate that in films 'Men act, women appear”?
  2. Is there voyeurism & use of the Male Gaze?
  3. What meaning/reading of messages about Masculine & Feminine in this Dystopian world? Any Yonic or phalic symbols (power)?
  4. What messages from this negative representation of the future of Britain?
  5. Comparative - how Realistic are the characters/vision of London?

    Apply to demonstrate
    Make a film parody to explore & draw attention to these aspects - re-enact the scene yourselves to reveal the meaning behind the scene 

Thursday, 24 January 2013

Psychoanalysis & Phallic Imagery

Women sporting cigarettes as a symbol of female empowerment was an advertising campaigns inspired by Freudian ideas. The link between theory and practice was Edward L. Bernays, the acknowledged father of public relations and nephew of Sigmund Freud.

Bernays application of psychoanalytic principles to public relations and advertising came only after reading Freud's "General Introductory Lectures," a gift from Freud to his nephew in thanks for a box of Havana cigars.

In this case, a cigar did prove to be much more than a cigar. The marriage of psychoanalysis and public relations, facilitated by the box of Havanas, made Bernays a very wealthy man.


Sigmund Freud

Manipulating behaviors
Intrigued by Freud's notion that irrational forces drive human behavior, Bernays sought to harness those forces to sell products for his clients. In his 1928 book, "Propaganda," Bernays hypothesized that by understanding the group mind, it would be possible to manipulate people's behavior without their even realizing it. To test this hypothesis, Bernays launched one of his most famous public relations campaigns: convincing women to smoke.

In 1929, it was taboo for women to smoke in public and those who flouted convention were thought to be sexually permissive. Bernays' client was George Washington Hill, president of the American Tobacco Company, who envisioned breaking this taboo to broaden the market for his Lucky Strike brand. Bernays asked Hill for permission to consult with New York's leading psychoanalyst and Freud disciple, Dr. A.A. Brill, and was granted this unusual request.

This was the first but not the last time Bernays would consult with psychoanalysts to help shape his public relations campaigns. When asked what cigarettes symbolized to women, Brill's response was that cigarettes were symbolic of male power.

Wednesday, 23 January 2013

MACRO Representation apply to CoM & V

CONCEPT OF REPRESENTATION = MESSAGES/VALUES 

 
Session 1: Recap stereotypes of gender task - using notes carousel and catch up the missing students;
 
"Men act, Women appear"
Action Film & Horror films offer interesting representations of Gender as well as opportunities for Psycho-sexual analysis 

Sigmund Freud 'Father of Psychoanalysis' - Relationship with Mother & Father on your gender/sexual template & psycho-sexual interpretations (ie Phallic imagery)



Create Meaning & Recap
Discussion Points for Art trips students to be caught up on (they will rotate & visit the 'Teachers')
  • The Final Girl - virginal, pure, female independence, male power (Friday 13th)
  • Voyeurism & the Male Gaze - women as sex object, men as holder of the gaze (Psycho Abbies clip)
  • Hypermasculinity - the 'Action Hero' & the 'Action Chick' (Kick Ass)
  • Phallic imagery & male impotence (Thor)
  • Phallic imagery in Slashers - female penetration (S
  • Yonic imagery (Teeth) women as 'other' threat to power (Male Castration theory)
  • Women as mothers or 'naturally' nurturing (We need to talk about Kevin)
Apple to demonstrate:
Make this into an Extranormal to demonstrate
or 

British National Identity - http://www.xtranormal.com/historic_figurez

Create Meaning
Rotate & Share your videos 

Feedback & check Learning

Session 2  : Apply Concept of Representation to V & CoM

Parody Film Task: Analyse> Discuss> Compare> Create

Make a film that draws attention to, exaggerates & parodies how the films uses stereotypes & creates meaning in the key scenes (ie a performance issue with V's Phallic Knives...)


Group 1.
Brainstorm 5 points
What is significant in how Women are represented or 'used' in the 2 films
Evey, Kee, Julia, Hippy woman

Think & Discuss how your film parody will demonstrate:
What meaning or message can you read into this?
Do they reenforce or challenge stereotypes of Women in film (Men act, Women appear)? 
Why & how do the films use of these female characters compare?
Any Yonic or Phallic imagery/Psychoanalysis (Father/Mother symbolism)?

Group 2.
Brainstorm 5 points
What is significant in how Men are represented or 'used' in the 2 films?
V, Sutler, Fingermen, The Resistance, Theo, Jasper

Think & Discuss how your film parody will demonstrate:
What meaning or message can you read into this?
Do they reenforce or challenge stereotypes of Women in film (Men act, Women appear)? 
Why & how do the films use of these female characters compare?
Any Yonic or Phallic imagery/Psychoanalysis (Father/Mother symbolism)?


Group 3.
Brainstorm 5 points
What is significant about how is Britain (national identity) represented through MES location, props, costume & it's characters?

  • V - England prevails, nazis, propaganda, state control, racism
  • CoM - Border control, Immigrants & Police, Fugeetown, Explosions in streets
  • Characters - Sid, Fugee woman, Voice of London
What meaning or Messages can you read into this negative Dystopia?
Context - What aspects of being in contemporary Britain is it drawing on? 
How does this compare to typical stereotypes of Britain offered in mainstream films?


Building your film



Main Body of your Film








Next week themes compare dystopia & how this is built...