Sunday, 25 January 2015

Practice Question: Multiplexes

"Why did the 1980s see the decline of Fleapit cinemas and emergence of the Multiplex? Give reasons linking to the Production, Distribution & Exhibition of Blockbusters and their popularity."


Answer Scaffold:
Intro: Your answer to the question (production, distribution, exhibition)
3 x paragraphs: Point> Example (film)> Explain how this answer the question 
Summary: Why Blockbusters are linked to rise in Multiplex cinema in 80's/personal opinion?

Task 2: Lesson Preparation
 
1. Read through and make notes on the articles and the videos linking to:
Technology
Economics
Social

2. Mind Map "Multiplexes in the UK"
surround the statement with your notes under the 3 contextual categories

3. Connect the answers to the questions - you may have to research more extensively beyond the starting point articles/video (& beyond wikipedia...)

  1. When was the first Multiplex in the UK?
  2. What was cinema attendance like in this time? 
  3. What films were being played in the new Multiplexes (name and year?)
  4. How were these Multiplexes encouraging audiences to go to the cinema?
  5. Where are these Multiplexes built instead of the High Street and why?
  6. What had happened to audience leisure patterns that meant 'Fleapit' cinemas lost popularity?
  7. What advantages did Multiplexes offer cinema audiences and film distributors over Fleapits?
  8. What reasons was cinema attendance low? (Technologies and Audience Leisure Patterns)

Some answers (but not all) match up & explain (the bit where you THINK and deduce a connection)
  • Youth Audience
  • Multiplex guarantees a larger audience
  • Audience Leisure Patterns: Fashion of Home Video (VHS/Betamax)
  • Piracy & Home Video
  • The Rise of Blockbuster 'Event' Movies
  • Fleapit cinemas sound & picture quality experience and run down
  • Recession & Cinema Attendance
  • Audience Leisure Patterns: Shopping & Out of Town leisure

 

 

Practice Question: Multiplexes

What factors led to the decline of town or city centres cinemas in the late 1970s and early 1980s?

Certain factors such as production, distribution and exhibition in the film industry have influenced the decline in town or city centre cinemas which have been influenced by different changes within society which led to an increase in multiplexes on the outskirts of city areas as well as the atmosphere in cinemas becoming more of a social experience rather than going to actually enjoy a film which led to the rise of multiplexes being placed in shopping centres. In terms of technology since visual effects from companies like Industrial, Light and Magic (ILM) were becoming more popular it led to people desiring a spectacle in which they could only get that experience from a multiplex and not in town or city centre cinemas'. Economically, merchandise and marketing made films in a multiplex more profitable since multiplexes were placed in shopping centres which influenced the decreasing popularity of town or city cinemas. In response to these factors blockbusters were being made to fill multiplexes to have more control over films being made and multiplexes were being created to house blockbusters because the film industry realised that this would make a profit because all audiences wanted were style over substance films.

As town or city centre cinema declined in came the rise of the blockbuster and multiplexes. In terms of production, companies were beginning to play more with special effects to create a spectacle and in return, these new effects created hype around films like Jaws turning it in to an event movie, creating the idea of going to a multiplex to be a social experience. An example of directors using new visual effects in their films to create a spectacle is when George Lucas and Steven Spielberg created ILM which was involved in the creation of Star Wars and also influenced the creation of ET in years to follow. As a result of this it has later influenced other film companies to conform to similar production techniques as they new they would get large audiences from films with spectacle over substance. Only multiplexes could house blockbusters because in terms of technology multiplex cinemas had wider screens, as well as better sound and video qualities which town or city centres did not have which led to a decrease in popularity for these 'flea pit' cinema's because they were using older screen technology and could not offer the same viewing experience that multiplexes could.

As the UK were just coming out of a recession most families were still quite tight with money and could not go out to enjoy films in the cinema which meant there was a loss of business for town or city centre cinema's because they could rent a film and get the same experience that they would in a town or city centre cinema. Also piracy was also a huge issue, an example of this is ET, ET was the most pirated film in 1982. Piracy meant that American Hollywood Studios (AHS) were getting less revenue from the blockbusters and they therefore needed something brand new to give audiences or find another way to make their money back. They did this through merchandising. Blockbusters began to only be played in multiplexes and turned blockbusters in to event movies. This led to marketing a film selling merchandise and advertisement to increase revenue and attraction to the film before it is even released. An example of a film which followed this formula of marketing is the Star Wars franchise and the film was only given to Multiplexes as they created a bigger experience than town or city centre cinema with better seating and better sound quality. This hurt town and city centre cinema's as all the films that were making huge amounts of money were only being played in multiplexes which caused town and city centre cinemas to decline.Technological advancements like VHS and VCR meant that people did not need to leave home to watch films, because of this it became fashionable to watch films in your own home. This created an alternative to going to the cinema that was not available before. It would not be before the rise of the multiplex that people started going to see films again. Small town and city centre cinemas lacked the social event status that VHS and VCR provided. However, something to note is that  because of the recession most homes would not have a VHS or VCR because they would not be able to afford one which suggests that this technological advancement may not be the sole factor in the decline of town or city centre cinemas. A contrasting point however is that for the homes that did have a VHS or VCR it would be cheaper to rent a film, than to go out and watch a film in a 'flea pit cinema'.

During the late 70s and early 80s teenagers quickly became the cinemas main audience, they became this because they were economically dependent on their parents, were granted a disposable income and were able to go out socially whilst their parents worked for them. They were attracted to multiplexes which were placed in shopping centers which were where teenagers would interact socially before multiplexes were placed their anyway. This in a sense devalued cinema because it turned it in to a 'shopping experience'. Blockbusters also in return became formulaic to fit what teenagers liked. An example of this is Jaws, Jaws was a violent film which attracted teenagers and it was also based in the summer time in a beach setting which is relatable to things that teenagers like to do socially. Jaws was also released during the Summer time during a time where teenagers would go to the beach as well. This led to the decline in town or city centers because teenage audiences had a big influence on the film industry and multiplexes attracted them more than town or city centers because multiplexes gave them more choice and gave them a new experience in where they interact socially and town or city centers did not deliver the same experience so teenagers did not go there to see their films.

In conclusion there seems to have been a substantial decline in town or city centre cinema in the late 1970's and early 80's which seems to have a correlation with the rise of the blockbuster and the rise of the multiplex. There also seems to be a correlation between the rise of home video and a decline in cinema attendance in town or city centre cinema. These have been influenced by social, economic and technological factors which offered new experiences for cinema audiences and you could only achieve the best experience apparently in multiplexes which pretty much put town or city centers out of business because blockbusters were only being played in multiplexes who were placed in the UK by AHS and multiplexes eventually became an experience for cinema goers, rather than actually going for the film itself, essentially devaluing films and blockbusters began to be created to be place in multiplexes and multiplexes created to house blockbusters.


Task 1
Starter: HumanCentipedeTrailerwho has seen it?
Find out what the story is and why it is controversial


Debate
Should there be such a thing as censorship of films?

This should take 15 minutes

Task 2

New Information: Exam Question 2 1970/80s
Film censorship is motivated by fears about audiences and technologies.Discuss this statement in reference to the concerns expressed about uncensored and unregulated video content in Britain in the early 1980s. [30]

Task:
Initial Research: For the following words in BOLD - Know about what was happening, define the terms, outline the context, and what relevance they have to the above exam question?
 
Group 1.
The right-wing, pro-censorship response by groups such as the National Viewers and Listeners Association and conservative MPs who wanted the introduction of restrictive laws for access to films on video

Group 2. 
2. The level of take-up/fashion amongst the UK population of home video technologies in the 80s and unregulated home video distributors 

Group 3. 
3. The dawning of the home video age - format wars (VHS and Betamax) and the moral panic about the uncensored Video Nasties and unregulated video content and move to regulation of film in the home.

Some basic resources to work through to help - split then across your teams - not all looking:

http://youtu.be/OqbMvbP_j1k?t=6m17s watch from 6m 17s – 11m 34 s



http://leighmediaasfilmessays12.blogspot.co.uk/2013/02/1980s-video-nasties-bbfc-home-video.html


Check Learning – Share your understanding across the team, this should take a about 30 mins to work through

Share your findings with the class as Mentor pairs Mind Map on A3 using highlighters your shared knowledge: write the exam question in the middle and use the notes to write analysis points under the contexts 

Technology
Political & Social
Economic

Each Mentor team should have a MIND MAP with the 3 contexts from the all the above

This should take about 20 mins - photograph & upload the Mind Map to your blog

Task 3

New Information - Deeper analysis of the resources
Divide up the links between you as Mentor Partners
http://leighmediaasfilmessays12.blogspot.co.uk/2013/02/1980s-video-nasties-bbfc-home-video.html 



Create Meaning - look for answers in the videos & articles
  1. What is the significance of Home Video & the Format Wars for audiences 
  2. What were the concerns around Home Video and regulation/censorship?
  3. What is a Video Nasty and why were they popular with audiences?
  4. What did these films have in common (Genre/Budget/Subject matter/Story)?
  5. Who were Margaret Thatcher & Mary Whitehouse and why were they relevant?
  6. How did Video Nasties become Political and how was this Moral Panic being exploited by the government?

In your Mentor Teams work your way through the documentaries (seperately) & questions - this should take 30 mins with 10 minutes to share across Teams of 4

Prepare an argument: Critical reviews of Banned Video Nasties
Each team of 4 take a different Case Study from the films below

For the following Video Nasties read over the plot summary imdb or wikipedia outline the content, watch the trailers - why do you think this one in particular banned?

How have these Video Nasties been critically received over time, what films did these directors go on to make?
What is your group's opinion - should these have been banned or censored?
What were the contextual reasons for these films being banned? 

Apply to demonstrate
Do you agree with the right-wing (conservative) decisions to censor or restrict access (regulate) to these films? Justify your opinion with evidence from today and reference to one of the films.

Write your individual argument on your blog

Last Task should take 30 minutes

good Luck

Monday, 19 January 2015

Multiplex Cinemas - extract 3 Reasons

http://leighmediaasfilmessays12.blogspot.co.uk/2013/03/fleapits-multiplexes-articles.html

1. Technological
2. Social
3. Economic

Students own research:

1. Put smaller cinemas out of business
2. Success of a few led to expansion in the 1980s
3. 1984 Multiplexes got people back into the cinema from big gradual decline low cinema attendance (Trend Home Video VCR)
4. Milton Keynes first multiplex in UK 1984/5
5. Rotate screens of the biggest films: release the biggest on the main screen then onto smaller for a longer run

What factors led to the decline of town or city centre cinemas in the late 1970's and early 1980's?

Introduction
A combination of factors led to the decline in town and city centre cinemas but there are three main pointers: technological, economical and social reasons.
Teenagers have disposable income so have money to spend with friend through a socialising environment such as cinemas and due to the multiplex cinemas being built in shopping centres that are easily accessible through the motorway and have more attractions such as restaurants, arcades  and shops mean that a day outing can be planned around the entertainment available.
The development of VFX that was first displayed in Star Wars led to the making of the Industrial Light and Magic company founded by George Lucas and Steven Spielberg. 
Multiplex cinemas replace flea pits due to the beneficial income because of the variety of films that will be advertised meaning a greater audience is brought to increase their revenue. 
Production
Spectacle films are now being produced due to VFX and the formulaic value that they know will sell to the audience- Star Wars was produced in 1975 which changed the course of cinema down this avenue leading to more films such as E.T that conformed to the science fiction genre which was now a huge hit with the teenage audience. However due to the mass of the teenage audience that brought in majority of the ratings, it also brought in new types of films such as the disco era that was brought about making films such as Saturday night fever in 1977 which was to reassure the fact they would continue bringing this audience in.
Distribution 
Piracy meant that American film studios were getting less revenue from the blockbusters being churned out which means they cannot afford to take a risk with a new creative idea for a film meaning the same formulaic films year in year out are being produced. This meant that American film studios had to cooperate with the new consuming preference of the audiences through the internet which led to the creation of Netflix and hulu so that people could watch movies online but still get money out of the audiences.
Exhibition
People were intrigued by the new all around better experience in the multiplex cinemas that they would pay slightly more money for, in comparison to the dilapidated flea pits. Due to the fact they were located in a shopping centre meant there were many more things to do within walking distance of the cinema- this meant people went on a 'day out', taking it for granted rather than saving up and treating it as a special occasion like the older generations usually do. this meant that the american film studios were making many films to keep the revenue and ratings flowing into the cinema.

Sunday, 4 January 2015

3.2.1 Film Text & Context intro Blockbusters in Context

Starter: What characteristics of Blockbusters do these films demonstrate?


Conclusion:
What does this suggest about the popularity of Indie Franchise Films - is there a formula, which audiences?



1. The exam and its requirements – skim & present 
ñ  How many questions & what topics?
ñ  What relevance are knowing about Blockbusters?
ñ  What case studies are you writing about?
ñ  What is Production?
ñ  What is Distribution & Marketing?
ñ  What is Exhibition/Exchange?
ñ  What do we mean by context?
ñ  BONUS Name the 2 most influential directors of these emerging types of films in 70's/80's?

starter: Match up the PDE
http://leighmediaasfilmessays12.blogspot.co.uk/2013/03/film-production-distribution-exhibition.html


Answers to PDE: http://prissnashfilm.blogspot.co.uk/2014/03/pde-qualities-and-values.html

Create Meaning
What are the arguments around Blockbusters? Case Study: Transformers
Apply: Your opinions – discussion on post it notes

Create Meaning
Identify significant points of Context that have had an effect on the rise and dominance of Blockbuster movies. 


Use Popplet to create a Flow Diagram of the relevent points of context you have extracted from the articles









Student 1: Social (audience behaviours, preferences, cinema attendance)
Student 2: Technology (Projection, sound, visual effects, online)
Student 3: Economic (budgets, marketing, box office, recession, piracy)
Student 4: Conclusion – summarise how have all 3 contexts have affected the Production of these films? 

Mid point plenary/Review
http://leighmediaasfilmessays12.blogspot.co.uk/2014/03/the-deuction-journey-or-how-to-apply.html
 

Break

Session 2 Kermode on Transformers 4


Micro Essay
Reasons why the popularity of certain films in the 1970s led to the rise of the Blockbuster formula
1. Economic
2. Social
3. Technological


How is this the legacy of Lucas & Speilberg? 
https://www.youtube.com/watch?v=OMOVFvcNfvE

What social, economic & technological context gave rise to the blockbuster film from 1975-1983?

American Film Studios built multiplex cinemas on the outskirts of town in a shopping centre in England to replace the single screen cinemas that were also known as 'flee pits' that advertised their Hollywood films. Due to the fact that there was more than one screen meant that there was a variety of films available to watch that the audience could chose from, however they were the same formulaic structure which meant that all it was doing really was leading us to believe people had a choice.Their Hollywood films were known as blockbusters which were new movies with the added spectacle which brought new interest to the screen. The fourth Star Wars Film: A New Hope directed by George Lucas was a well known American production that was all spectacle; alternate universe, explosions, lasers, light sabers and aliens which changed the course of cinema from then onwards.

In the time frame between 1975 and 1983 the teenage demographic was on an increase due to the social events that became increasingly common and the new rage of things to do was attend the new and improved multiplex cinemas; due to the disposable income that teenagers were entitled to from their parents meant they could go out and do what they wanted. Due to the majority of viewers in cinemas being teenagers meant that they were the huge influence on the ratings of films and the summer blockbusters. From 1975, due to this, new eras of film were born such as the disco era from which the blockbuster, 'Saturday Night Fever' was produced in 1977; this film was directed at the new and common teenage demographic that were the reason for majority of the multiplex cinema's income.

The new invention of VFX to be used in movies meant that it added to the spectacle and gave something new and exciting to the cinemas which meant it brought in the audience. In 1975 the blockbuster 'Jaws' was released which was one of the most successful blockbusters of all time. VFX was bascially what brought people out of their homes and into the cinema.

Cinema viewings became less popular in the 1980's which meant there was the invention of the VCR which meant people could watch movies at home; E.T was the first movie to be released on VCR. Due to the VCR and video tapes bringing movies to people's homes, it meant the fashionability of people staying in at home to watch movies came in. 

Multiplex cinemas were built near motorways to make it easily accessible and noticeable by people; due to the fact they were usually located on the upper floor of shopping centres meant there were many other attractions to draw the demographic in such as shops and restaurants. Milton Keys in Birminghamshire was the first multiplex cinema to be built in England; it was a business that the Americans used to earn money both ends; brought money in to expand the cinema and bring new things in that would be new and exciting.

Homework Prereading Next week's lesson
Fleapits & Multiplexes articles/notes to read
&
http://leighmediaasfilmessays12.blogspot.co.uk/2013/03/lesson-43-how-blockbusters-led-to-rise.html - prepare answers to these questions:

Create Meaning: How did the Blockbuster affect Production, Distribution & Exhibition?
Expert groups:
  1. Cinema Attendance 1972-1980 why was this? (Economic, Social reasons?)
  2. Production Technologies (Star Wars) & the Big Screen Experience
  3. Distribution - The Event Movie hype (marketing budgets)
  4. Box Office numbers of the early Blockbusters (exhibition) 

3.1.1&2 Exam 2: Film Text & Context Session 1 - Big Dumb Movies



STARTER: 

http://www.radiotimes.com/news/2014-12-16/2014-film-quiz

NEW INFO:

What is a flop? 
How much does a film need to earn to be a success?
What are some factors that effect this (audience behaviours, technology?)
How does this affect the reasons and the decision behind which films are made or shown?
What is a Franchise movie?
http://leighmediaasfilm.blogspot.co.uk/2014/02/context-film-funding-flops-and.html

http://leighmediaasfilm.blogspot.co.uk/2014/02/flop-formula-assessment.html



Test out the Film Flop Formula (Mark Kermode, BBC Film Critic) 
Select a Case Study from the list of 2014 Movies from the Quiz
Find the Budget & Box Office (Total Gross)

Now find a Flop from 2014, find the budget and Box Office (Total Gross)

www.imdb.com
www.Boxofficemojo.com


Your next exam is about exploring and contextualising the factors that affect film production.

This means explaining how politics and social values affects censorship, how marketing and formulaic special effects driven 'event movie' have shaped and dominated what you now see at the cinema and how the cinema itself has evolved from a run down 'Fleapit' in your local high street to the 'Multiplex'. We will also be revealing how Film Piracy is not a new thing.

Complete the following tasks with your mentor partner & post to your blog 

Task 1:
http://leighmediaasfilmessays12.blogspot.co.uk/2013/02/starting-point-jaws-anatomy-of.html

Make notes - 
What was so significant about Jaws?
Outline the characteristics of a Blockbuster




 
Apply: 
Identify a newly released Blockbuster now showing at the cinema
Analyse the promotion and mind map - poster, trailer, merchandising and identify what makes this a blockbuster from it's advertising?

What is the budget of this film and it's box office opening weekend (www.imdb.com)
How many showings are there of this film at the cinema?
What other types of films are showing at this Cinema (Blockbusters or Independent)?
Is it a Multiplex or Fleapit (independent)?

Task 2: 
Read - Case Study of a newly released Blockbuster
http://leighmediaasfilmessays12.blogspot.co.uk/2013/02/characteristics-of-summer-blockbuster.html

Apply: Presentation
Watch the trailers. Analyse the characteristics using the above reading


How does it compare to the trailers for Godfather, Jaws and Star Wars - are there notable similarities/differences?

http://brionysfilm.blogspot.co.uk/2014/03/blockbuster-comparison.html



New Info
Task 3:
http://leighmediaasfilmessays12.blogspot.co.uk/2013/02/big-dumb-movies-transformers.html

Watch the video and identify the arguments from Mark Kermode
What are the criticisms of Big Dumb Movies?
What is your standpoint on this - how did we get to the point where the cinema is dominated by these films? 

Task 4: 

(Assessment)
http://www.independent.co.uk/arts-entertainment/films/news/the-future-of-blockbuster-films-its-strictly-reserved-for-superheroes-9673859.html
http://leighmediaasfilmessays12.blogspot.co.uk/2013/02/activity-next-blockbuster.html
Apply:
Pitch me 'the next blockbuster' - record the pitch 

Think about - Franchises, Pre-exisiting audiences, cross-overs

Homework:

Record your own review of your Blockbuster Case Study in the cinema over half term in the style of Mark Kermode
OR
Swede your own 30 sec trailer to your 'Next Blockbuster'