https://www.youtube.com/watch?v=yNSPSoVl3lk
Today we are revising the questions for the exam:
http://leighmediaasfilmessays12.blogspot.co.uk/2014/04/51-starter-how-to-answer-question.html
Create Meaning
Work through the tasks and answer complete the grids at the bottom of the post for the 4 questions.
Use the content of this to produce a 3D trailer for a 1950s Sci-fi or Monster movie. In your trailer/story, demonstrate your understanding of:
The relationship of 3D to the Blockbuster 'film-flop-formula'
The history of 3D being used 1950s and 1980s
The requirements of cinematography & content to produce the 3D effect
The audience being targeted by 3D to encourage them into the cinema
Apply to demonstrate:
By the end of the lesson we will use these grids to produce a video thesis on each of the questions
1. Video Nasties - Zombie
2. Film Piracy - Pirate
3. Rise of the Blockbusters - Capt America
4. Digital Distribution - ?
http://leighmediaasfilmessays12.blogspot.co.uk/2014/05/homework-for-tuesday-last-week-before.html
Assessment
Mark Scheme http://leighmediaasfilmessays12.blogspot.co.uk/2013/02/mark-scheme-questions.html
I will be assessing your essays on Video Nasties and 3D as a tutorial for the rest of the morning.
Essay Plan 3D
Introduction - your thoughts on the debates - is it only bad for Hollywood or does it open up new audiences for non-mainstream film?
Audience watching for free online = less preared to take risks (Die Hard 5???)
How the film industry is trying to adapt - who gains, who looses, how have they tried to tackle it?
Possible examples: Megaupload, Avatar & 3D resurgence, Digital Distribution
(not on film anymore sent to screen via the internet) how many/which
sites do you know to watch/stream illegally & why do you do it?
Main Body (Point > Example > Explanation > Argument (use the debates critics, directors, studios)
Para 1. Technological Context (internet, Megaupload, 3D, Digital Distribution) 3D forced on directors?
Para 2. Social Context audience watch more & potentially a greater range, improving their 'film literacy',
a desire for 'better' movies, sharing indie & smaller films to a
bigger audience ie: We Need to Talk About Kevin), cinema attendance vs
home cinema/streaming movies
Para 3. Economic Context (cinema
attendance, the Avatar effect, 3D more expensive tickets) Piracy = less
risk taking & Big Dumb Movies & sequels, eating into film
production profits = less reinvestment into new talent (directors or
stars)
Conclusion
Debates around the threat of piracy
(remember Home Video?) how will the film industry have to respond to
meet audiences expectations/what do they want? Better films?
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